This is an on-going class. While registration is in one-month increments, it is not possible to learn underpainting and glazing in one month, so be prepared to make a commitment of a few months.
When used in specific ways color is incredible! Part of it is composition, part is knowledgeable color mixing, and part technique!!!! Underpainting and glazing is a technique that I use in every painting to create color that glows with life and light,and looks like jewels. Oil paint is inherently transparent, even the opaque colors, so what color is under and what color is on top really does make a huge difference. As I entertain myself daily in my studio, I learn new things all the time, and I have made a lot of paintings and discoveries. Come and learn this technique and take your paintings to new heights! You will learn things that aren’t in any books, including the one that I wrote, Classic Still Life Painting. This is a still life class where you can create paintings that are filled with life and light. Using oils and still life you will learn a step-by-step thought process that will allow you to accurately paint anything and how to successfully paint from photographs so that you can create detailed paintings with confidence.
Drawing supplies:
18 or 24” C-thru ruler (transparent, with inch measurement on both sides) (optional)
2H pencil
kneaded eraser
white Magic Rub eraser
Drafting or masking tape
19 x 24” pad of tracing paper or 2 sheets of tracing paper
Painting supplies:
12 x 16 inch WHITE paper palette (make sure it is for OILS, not acrylics)
Palette seal to fit the paper palette – (optional, but recommended)
Palette knife for mixing paint (I prefer one with a bent or offset handle)
SOFT paper towels, like Viva brand
Winsor & Newton Sansodor or Gamblin Gamsol
These are the ONLY two solvents allowed in my class.
Small jar for Sansodor such as an artichoke heart jar - optional
Murphy’s Oil Soap in a small container (optional)
Winsor & Newton Liquin Original (NOT Liquin Fine Detail or Light Gel)
Wipe-Out-Tool, optional, but useful (I make these available for purchase.)
black graphite (transfer) paper, make sure it is erasable!
stylus or ball point pen with a fine point
Oil Paints: Except for the Titanium White, these are all transparent colors that are used for glazing. This class is about glazing and the most beautiful glazes are made with transparent paint. Glazes can be made with opaque colors, but they are not as lovely as those made from transparent color. You won’t need these for the first class.
Titanium White – I suggest using Titanium White over other whites because it is the most opaque. With that in mind, bring a good professional or artist grade paint. I prefer Rembrandt brand. Student grade brands, such as Winton or Daler-Rowney’s Georgian brand will not have the opacity that is necessary for underpainting.
Transparent Yellow (Rembrandt is a good brand, and less expensive than Winsor & Newton)
Cadmium Lemon (bring it if you have it)
Indian Yellow (Gamblin is preferred, but Winsor & Newton will be fine)
Perylene Red – Gamblin brand or Winsor and Newton’s Winsor Red Deep
Permanent Alizarin Crimson or Permanent Carmine (Winsor & Newton)
Ultramarine Blue or French Ultramarine Blue
Viridian - optional
Sap Green (Winsor & Newton is good, just don’t get Gamblin brand)
Payne’s Gray – (I prefer Grumbacher) (optional)
Ivory Black
Brushes: synthetic or sable, they should not be stiff like a bristle brush, rather they should have a nice “spring” to them, and a soft texture.
Flat brushes –1 or 2 of each size: 2, 4, 6, 8, 10, 12, and 20 (this one is optional)
I suggest any of the following:
Da Vinci Nova synthetic series (brights)
Da Vinci Nova Red Sable series 1810 and 1812 (brights)
Winsor and Newton Scepter Gold II (flat)
I have appropriate brushes available for purchase during the workshop or on my website www.janejonesartist.com
Mop brushes: these are the only ones that are brand specific.
2 Silver 1/8" Mini Oval Mop and 2 Dynasty 1/4 " (These are very small mop brushes and are hard to find, so I make them available for purchase. I also make the following larger mop brush available for purchase.)
Silver brand White Oval 1/2 mop
2 or 3 disposable gloves – these will be used for applying a first layer of paint, so if you wear gloves while you paint, you will need more for that.
Painting surfaces:
Choose the size to go with your image. Canvas (portrait grade) or hardboard prepared with gesso such as Gessoboard from Ampersand (this is the best product and can be seen at www.ampersandart.com ). Other brands such as Houston Art are too rough and inferior in how they perform. You will only use one painting surface, but bring two just in case you need an extra.
Recommended book: Classic Still Life Painting by Jane Jones
