This class explores painting the portrait from life. Students will learn a direct painting method for capturing the light and form of the head as well as a convincing likeness of the model. Using a direct painting approach, students will learn to quickly and accurately establish the gesture, shapes, and structures of the human head. Perspective, as well as basic anatomical landmarks will also be taught to further supplement observation with knowledge to inform mark making and sculptural awareness. Keeping a simple palette, this method will also build upon itself towards longer studies and projects.
Week 1: Gesture - Capturing the Head as a Whole
Week 2: Light and Shadow Study in Grisaille
Week 3: Introduction to Flesh tones
Week 4: Introduction to Form
Week 5: Long Pose day 1
Week 6: Long Pose day 2
-Palette - wooden rectangular palette - 11x14 or larger. Must be stained a dark neutral brown and SEALED. NO palette paper Glass is acceptable.
-Brushes - 2 of each of the following: Bristle Filberts sizes #4,#3,#2,#1. Blick's Masterstroke and Silver Grand Prix are recommended brands
-Palette Knife
-Rags - Viva paper towels recommended
-Solvent - Odorless Mineral Spirits in a SEALED jar
-Medium - 1 part stand oil to 2 parts solvent
-Canvas: you will need a 16x20 canvas or canvas panel each class, toned a neutral gray. For canvas toning procedure, see below. This will also be demonstrated the first day: Take Meininger’s neutral gray acrylic paint and squeeze about a tablespoon of paint into a mixing bowl. Stir in a little water and thin until you get the consistency of melted ice cream. Take a wide chip brush to scrub this mixture onto your canvas. Once covered, carefully drag the brush from one end of the canvas to another to make even, parallel strokes. Let dry.
-Oil Paints: Professional Grade paint required. I recommend Winsor Newton, Utrecht, and Rembrandt brands. You'll need the following colors: Titanium White, Burnt Umber, Alizarin Crimson, Cadmium Red, Cadmium Yellow, Ultramarine Blue, Ivory Black
